On February 13, 2011, the crown jewel of the classical music Grammy Awards (Best Classical Album) will be awarded to one of five outstanding classical records! From the spectacular performance of Bruckner's 3rd Symphony to the impressive voice of Cecilia Bartoli, and the eccentric Dreamhouse to the power of Verdi's Requiem, there is much variety in the nominated albums. However, having listened to all five albums, my bets are on Bartoli's Sacrificium.
1. Bruckner: Symphonies No. 3 & 4
To diehard Bruckner fans, it's hard telling if you will like Jansons interpretation of his symphonies 3 and 4, after all, every connoisseur has their own opinions, but to the majority of classical music enthusiasts, this album is definitely worth a listen. The Royal Concertgebouw Orchestra, already quite rehearsed in Bruckner's symphonies, performs the two symphonies with great clarity and ease
2. Daugherty, M.: Metropolis Symphony / Deus Ex Machina
Inspired by of one of the greatest comic book character of all time, composer Michael Daugherty wrote a five pieces of music between 1988 and 1993 based on Superman. In 1994, he combined the pieces of music into a five movement symphony. The symphony employs a variety of instruments to create a unique soundscape illustrating the life and times of Superman. It's not something I'd listen to on a regular basis, but it's certainly a joy to hear.
3. Steven Mackey: Dreamhouse
4. Sacrificium
Released in October of 2009, <i>Sacrificium</i> has hardly encountered negative reviews, and after having listened to the album it's clear why. Cecilia Bartoli delivers a mesmerizing performance - perhaps the best of her career. Bartoli's voice gives the gift of life! Having resurrected long forgotten baroque period arias, she sings each note as if each were of equal importance. Her coloratura is flawless and breath control to die for. Cheers to you, Cecilia!
5. Verdi: Messa da Requiem
Conductor Ricardo Muti is no stranger to Verdi's Requiem. In fact, he already has several highly regarded recordings, including La Scala, 1987. Having since taken over the helm of the Chicago Symphony Orchestra, Muti once again takes on the monumental task of Verdi's Requiem. While the orchestra and chorus perform brilliantly, the soloist fall short of matching their caliber, which sadly lessens the magic of the performance. (Though having listened to the La Scala recording, perhaps I am spoiled.)






